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13
Objects
October/November 2003
The secret
life of everyday objects as seen through
the eyes of Howard Barker...
A
Spade
A Cup and Saucer
A Medal
A Pair of Shoes
A Rattle
A Camera
A Ring
A Painting
A Pair of Spectacles
An Urn
A Postcard
A Bucket
A Drum
13 objects. Everyday. Dull. Mundane.
But what if one was capable of inspiring tears?
Or a great passion? Even a war?
Howard Barker's intriguing play investigates the often profound and intimate
connection people can make with objects that, although familiar and mundane
in themselves, resonate with memory or inspire powerful emotional feelings.
Even
the simplest artefact can acquire enormous psychological and social significance.
Here a series of simple items inspire extreme feelings of sorrow, joy,
pain, anger, become a site for struggle, a means of independence and servitude,
even a substitute for the identity of a human being.
In 13 short self contained plays, powerful poetic language, provocative
ideas and rich, dark humour build a compelling and fascinating exploration
of the secret lives of everyday objects.
With
these simple points of departure, Howard Barker's rich, rewarding text
portrays not just a transaction between a person and a thing, the basis
of so many brilliant theatrical moments, but describes a culture as seen
through the results of an archaeological excavation, and asks what these
things meant to people.
13 Objects was directed by Howard Barker. It opened at Birmingham
Rep in October 2003 and toured the UK including two weeks in London at
Riverside Studios.
13 Objects; Studies in
Servitude
Everyone thinks
his life should be better than it is. Everyone thinks life itself should
be better than it is. This ancient torment produced by the mismatch of
hope and reality is the theme of these short plays, where the sense of
disappointment is stimulated by mundane objects. On the surface of these
ordinary things a spiritual quarrel is enacted. They become the focus
of desire and loss; desire for what might have been, despair at what it
is. The object mediates the ambition and, whether they are relics of the
dead, symbols of sacrifice or simple items imbued with faith or love,
they bear immense significance. They become the pretext by which the world
is challenged and the detritus of our defeats. We are enslaved by our
hopes
Howard Barker
Photos on this page
by Robert Workman www.robertworkman.demon.co.uk
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Further
details from:
The Wrestling School
42 Durlston Road
London E5 8RR
Fax: +44 (0)20 8442 4229
or by email
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