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Death can also transform the living… A young man learns
that his father is dying. He drives furiously to reach the bedside. But
he arrives too late. The dead man's mistress shows him to the room where
the body lies and leaves him to his grief. His younger brother appears.
He was present at the death but his attitude is strangely ambiguous. He
seems reluctant to engage with his elder brother, who immediately suspects
him of a secret... Suspense, suspicion and paranoia build in Howard Barker's erotic and disturbing new play in which sexual fantasy veers from casual adventure into inescapable servitude. Powerful poetic language, provocative ideas and rich, dark humour build a shocking yet compelling exploration of bereavement and sexual imagination.
Dead Hands is directed by Howard Barker in the company's distinctive style, working with the team that created the highly successful productions of 13 Objects, Gertrude, and He Stumbled. "A
play about dying that makes you feel a lttle baffled but strangely pleased
Warning: This play contains nudity, explicit language and extreme moral speculation.
Photos on this page by Robert Workman www.robertworkman.demon.co.uk TOUR SCHEDULE
Supported by Arts Council England Future plans...... May/June 2005 The Fence At the heart of this tale is the intensely personal story of a blind boy's struggle to discover his true identity in a world where nothing is what it seems… To be presented on main stages in Birmingham, Colchester,
Oxford and York in May/June 2005. |
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Current
Projects
Dead
Hands 
How
far did the dead man plan these encounters? Are the actions and thoughts
of the bereaved all part of an elaborate scheme thought up by the dying
man? And what are the mistress' intentions towards the surviving sons?
Dead
Hands is an intimately
emotional piece about the experience of death in a family. It shows how
the silence of the recently died can provoke a strained and bitter dialogue
among the survivors. Barker's plays have often celebrated the secret.
Here the secrets of the dead inspire extreme speculation. Should we fear
death not for itself but for the fate that it inflicts on the survivors?
The legacy of death is not only a dispensing of property but also of emotion,
pain and a remembered life. If death is the last great secret, then those
who witness it must surely be drawn into its mystery?
Inspired by the long distance fence under construction in the Gaza to
separate the Palestinian and Jewish communities, Howard Barker's latest
play explores one of the great social issues of our times. Set in a world
of rising frontiers and illegal immigration, The Fence uses
powerful poetic language, provocative ideas and rich, dark humour to build
a compelling and sexually provocative epic about scandal in a ruling monarchy
and its subsequent downfall.