In 2007, Arts Council England
refused further funding to the company and after 20 years of cutting edge
work we faced closure. However, a US fan determined to see our ground
breaking work continue pledged to replace that funding for the
next three years and our first production with this support was I Saw Myself
Sleev,
a rich and promiscuous woman wants to confess her scandalous sexual history
to a world that has never dared acknowledge it
The men are at war. The women
weave a great tapestry portraying the conflict. The death of Sleev's husband
in battle compels her to insinuate her sexual adventures into the tapestry,
provoking fear and hostility in all those around her...
In her struggle
to assert the right to depict her personal experience
Howard Barker has
created another gloriously self-willed, erotic and fascinating character.
This thought-provoking work
explores the role of the mirror, the autobiography and the self-portrait
in an intriguing and unpredictable way.
Howard Barker's last work on
the role and responsibility of the artist in society was the internationally
acclaimed Scenes From An
Execution. Here this theme is further explored with the
artist character ferociously denying the importance of depicting the collective
experience to insist on her right to tell her own story. Her punishment
is cruel but her courage never deserts her. In her struggle to survive
war and social hostility, and her determination to complete her individual
vision of events, Howard Barker has created his most outstanding female
character since Gertrude
The Cry.
The
intention in this production will be to accumulate dramatic pressure in
the struggle of Sleev against the hostility of those around her and her
increasing blindness, set against the rush to complete the tapestry before
the approaching war reaches the village and threatens its destruction.
We will convey the essence of the human emotional truth at the heart of
each moment without recourse to naturalistic stage values. Rather we want
to use the unique interaction between actor and audience only available
in a live performance to directly convey the emotional power of each moment
to that audience.
I Saw Myself was our 20th birthday year production.
9
- 19 April 2008
Jerwood Vanbrugh Theatre London
Photos: Top and Mid: Simon Kane Bottom: Robert Workman
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Howard Barker's
latest book: A Style And Its Origins A commentry on the development of Howard Barker's theatre aesthetic over the past 20 years
Published by Oberon Books
+44 20 7607 3637 info@oberonbooks.com www.oberonbooks.com